Ofsted’s Christopher Stevens, HMI National Lead for Music returns to speak with Music Mark in October 2024, this time talking inspections and giving more details on SEND.
Watch recordings from the inaugural Digital Innovation in Music Education Conference 2024.
The National College has made two ground-breaking webinars free exclusively to Music Mark members. In these webinars, Jonathan Harris explains how primary and secondary schools can use music lessons to develop pupils’ climate literacy, using practical examples and activities to enhance teaching and learning.
Trybooking works with music services across the UK to save hours of time managing all aspects of concert ticketing including managing guests on the night of the concert. Download the presentation slides from this webinar to see examples from other Music Services and get more information on how you can benefit.
In Spring 2024, we added an updated Music Tech category as well as a brand new Tabla section to A Common Approach, our online resource to support music educators in their teaching practice. Watch our in-depth introduction to these modules led by the people who helped create them.
We explore the basics of climate change for charities, looking at why charities need to get involved, how charities can get involved, the best resources available to charities, and so much more.
Members can watch back the livestream from our 2024 Spring Summit and download resources from the day.
In Spring 2024, Music Mark invited members to discuss the charity’s advocacy work and to help inform our political goals in a general election year, before running a session on Political Advocacy with arts and public affairs consultants and campaigning and electoral law experts.
In 2024, Music Mark teamed up with MEHEM Uprising’s Ben Sellers to deliver a series of online events around inclusive music with a focus on SEND in various settings.
It’s remarkable how different musicians at the highest level have got there. Interestingly, music notation is not common to them, even the classical musicians. It seems that an ear-first approach is common to almost all of our most exceptional musicians.
